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Objetivo Geral:

Bibliografia Básica:

• BAILEY, Derek. Improvisation and Practice in Music. DaCapo Press, 1993. FERAND, Ernest T. Improvisation in nine centuries of western music; an anthology with a historical introduction. Köln : A. Volk Verlag, [1961]. KONOWITZ, Bert. Music improvisation as a classroom method: a new approach to teaching music. New York : Alfred Publishers, 1973. NETTL, Bruno (editor) In the course of performance: studies in the world of musical imporvisation. The University of Chicago Press, 1999.

Bibliografia Complementar:

• COOPER, G.C.; MEYER, L.B. The rhythmic structure of music. Chicago: Chicago University, 1960. HINDEMITH, P. Harmonia tradicional. São Paulo: Martins Fontes, 1967. MEYER, L. B. Explaning music. Berkeley, Los Angeles: The University of California, 1973. RÉTI, R. The thematic process in music. London: Faber and Faber, 1961. SCHOENBERG, A. Fundamentos da composição musical. São Paulo: Edusp, 1996. _________. Harmonia. São Paulo: UNESP, 2001 _________. Funções Estruturais da Harmonia. São Paulo: Via Lettera, 2004. STRAUS, J. Introduction to Post-Tonal Theory. New Jersey: Prentice Hall, 1990.