Nome da Disciplina
PRÁTICA DE PESQUISA EM CIÊNCIAS MUSICAIS II
CÓDIGO
05000556
Carga Horária
30 horas
Atividade Complementar
Não
Periodicidade
Semestral
Unidade responsável
CRÉDITOS
2
CARGA HORÁRIA PRÁTICA
2
CARGA HORÁRIA OBRIGATÓRIA
2
FREQUÊNCIA APROVAÇÃO
75%

Ementa

Estudo prático das pesquisas em Ciências Musicais e suas interfaces com a sociologia, filosofia, ciências da computação, psicologia e acústica.

Objetivos

Objetivo Geral:

Abordar os aspectos interdisciplinares envolvidos na pesquisa em Ciências Musicais, prioritariamente na Musicologia Sistemática.

Conteúdo Programático

Bibliografia

Bibliografia Básica:

  • BADER, Rolf (ed.). Musical Acoustics, Neurocognition and Psychology of Music: Current Research in Systematic Musicology. New York: Peter Lang Publishing, 2010. BADER, Rolf (ed.); NEUHAUS, Christiane (ed.); MORGENSTERN, Ulrich. Concepts, Experiments, and Fieldwork: Studies in Systematic Musicology and Ethnomusicology. New York: Peter Lang Publishing, 2009. CLAYTON, Martin (ed.); HERBERT, Trevor (ed.); MIDDLETON, Richard (ed.). The Cultural Study of Music: A Critical Introduction. New York: Routledge, 2003. HAYDON, Glen. Introduction to Musicology: A Survey of the Fields, Systematic and Historical, of Musical Knowledge and Research. Santa Barbara: Greenwood Press, 1978. KENDALL, Roger (ed.) e SAVAGE, Roger (ed.). Selected Reports in Ethnomusicology, Vol. 12: Perspectives in Systematic Musicology. Los Angeles: UCLA Ethnomusicology Publications, 2005. LEMAN, Marc. Music and Schema Theory: Cognitive Foundations of Systematic Musicology. New York: Springer, 1995. LEMAN, Marc (ed.). Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology (Lecture Notes in Computer Science / Lecture Notes in Artificial Intelligence). New York: Springer, 1997. SCHNEIDER, Albrecht. Systematic and Comparative Musicology: Concepts, Methods, Findings. New York: Peter Lang Publishing, 2008.

Bibliografia Complementar:

  • AUSTERN, Linda. Music, Sensation, and Sensuality (Critical and Cultural Musicology). New York: Routledge, 2002. BLUM, Stephen; BOHLMAN, Philip V.; NEUMAN, Daniel M. Ethnomusicology and Modern Music History. University of Illinois Press, 1993. CHUA, Daniel. Absolute Music and the Construction of Meaning (New Perspectives in Music History and Criticism). Cambridge: Cambridge University Press, 1999. COOK, Nicholas. Music, imagination and culture. Oxford: Oxford University Press, 1990. DAVIS, Mary E. Classic chic: music, fashion, and modernism. Los Angeles: University of California Press, 2006. DE NORA, Tia After Adorno: Rethinking Music Sociology. Cambridge: Cambridge University Press, 2003. GREEN, Richard D. Foundations in music bibliography. New York: Routledge, 1993. KOFIE, Nicholas. Contemporary African Music in World Perspectives: Some Thoughts on Systematic Musicology and Aculturation. Accra: Ghana Universities Press, 1995. KUPPURAM, G.; KUMUDAMANI, K. Methods of historical research. New Delhi: Sundeep Prakashan, 2002. LOCHHEAD, Judy. Postmodern Music/Postmodern Thought (Studies in Contemporary Music and Culture). Garland, 2000. MEYER, Leonard. Style and Music: Theory, History, and Ideology. University of Chicago Press, 1997. MILLER, Frederic (ed.); VANDOME, Agnes (ed.); McBREWSTER, John (ed.). Musicology: Music, George Grove, Cultural Studies, Ethnology, Acoustics, Psychoacoustics, Information Science, Theatre, Theology, Systematic Musicology, Music History, Ethnomusicology, Music Theory. Beau Bassin: Alphascript Publishing , 2009. TREITLER, Leo. Music and the historical imagination. Cambridge: Cambridge University Press, 1989.

Turmas Ofertadas

Turma Período Vagas Matriculados Curso / Horários Professores
P1 2019 / 2 10 3 Música - Ciências Musicais (Bacharelado)
Horários
ManhãTardeNoite
TER17:10 - 18:00
18:00 - 18:50
RAFAEL DA SILVA NOLETO
Professor responsável pela turma

Disciplinas Equivalentes

Disciplina Curso
PRÁTICA DE PESQUISA EM CIÊNCIAS MUSICAIS II Música - Ciências Musicais (Bacharelado)

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